Thursday, March 29, 2012

Amphitheater of Pompeii


The Amphitheater at Pompeii may at first seem like any other roman amphitheater, but it is in fact very unique. It was built around 80 B.C., soon after Pompeii had officially become a Roman colony. Quinctius Valgus and Marcius Porcius, two local officials built the amphitheater at their own private expense. We know this because there is an inscription crediting them with the construction. It can seat around 20,000 people in three tiers. It served not only the people of Pompeii but also surrounding towns. In its time, it was not called an amphitheatrum, for that word was not being used yet. It was called a spectacular. Now why is it so special? This amphitheater is the earliest known permanent stone amphitheater in the Roman world. Before this, they were built from wood. The next stone amphitheater built was the Colosseum, in Rome, more than a century later. The well-preserved amphitheater has given many insights into Roman gladiator culture.
 


The amphitheater is in the southeast part of Pompeii, in the outskirts with very few other buildings near it. It is situated in a corner of two town walls to take advantage of existing structures for support.  Because the arena in the center of the amphitheater was below the ground level of the time, they dug about six meters (19.68 feet) down. This created a lot of extra dirt that was piled against the city walls and used to support half of the seating area. There are six stairways in the amphitheater, two double-sided stairways on the west side and two simple stairways on the north and south sides. The amphitheater’s design is seen by some modern crowd control specialists as near optimal. Its washroom, located in the neighboring palaestra (training field) has also been cited as an inspiration for better bathroom design in modern stadiums. The arena is shaped like an oval and surrounded by a parapet (any low protective wall or barrier at the edge of a balcony, roof, bridge, or the like) that is more than two meters (6.56 feet) high. This was wall or barrier was originally painted with scenes of animal hunts and gladiator fights. There was also a large training field right next to the amphitheater. 


There were bloody shows between gladiators and animals were what people came to see. There were not shows in the winter and the hottest parts of summer. A canopy of black flax material covered the seating area in the summer to protect the audience from the burning sun. Another thing I found interesting about this amphitheater is the deadly brawl between the people of Pompeii and the visiting people of Nuceria that occurred there. It resulted in the ban of events in the amphitheater for 10 years. Below is a illustration of the brawl.


"About this time [AD 59] there was a serious fight between the inhabitants of two Roman settlements, Nuceria and Pompeii. It arose out of a trifling incident at a gladiatorial show...During an exchange of taunts—characteristic of these disorderly country towns—abuse led to stone-throwing, and then swords were drawn. The people of Pompeii, where the show was held, came off best. Many wounded and mutilated Nucerians were taken to the capital. Many bereavements, too, were suffered by parents and children. The emperor instructed the senate to investigate the affair. The senate passed it to the consuls. When they reported back, the senate debarred Pompeii from holding any similar gathering for ten years. Illegal associations in the town were dissolved; and the sponsor of the show and his fellow-instigators of the disorders were exiled."
~Tacitus, Annals (XIV.17)



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Wednesday, March 14, 2012

Suburban Baths (Terme Suberbane)



This video piqued my interests in the Suburban Baths of Pompeii. Thus the topic for this week’s post.

The Suburban Baths were built at the end of the first century BC. They stood just outside the wall of the town, north of the Porta Marina Gate (see map). Because of this placement outside it is thought that the baths were probably used by people coming from out of town. There are mooring rings (large metal rings used to anchor boats and ships) set into stone bocks which suggested the baths were near a canal port. There are three levels to the baths, which are all visible now due to recent restoration. Despite the three levels, the bath complex its self was not very big. The entrance hall was on a terrace, and all the rooms had a window looking out over the Gulf of Naples. The layout was classically designed to fit the needs for the bathing chambers. Because of this, after the entrance hall, there is a changing room (apodyterium), then two rooms for cold baths (frididarium), followed by a heated chamber (tepiderium), the finally the hot water baths (calidarium). The heated room was there to allow bathers to acclimate to the heat before entering the not bath (like mentioned in the video). I imagine it being similar to a sauna.


The Suburban Baths. The area with all the poeple is the Marina Gate or Porta
 Marina with bath house to the left. The entrance is at the very left edge of the
 picture, the last square window.

The walls of the changing room are lavishly decorated and once again the erotic images are seen. Because of the eight fresco paintings that were highly erotic, the room was first thought to be a brothel annexed to the bath. However, this interpretation has been rejected for another theory. In this instance, the erotic frescos were probably a humorous method for customers to remember where they left their clothes. It is thought that the bathers were assigned a number and an amusing painting, which were different in each of the various chambers, because each painting is located above a numbered box, which may have been used as lockers. (If you really want to see the pictures you can find a few by searching Suburban baths (Pompeii) on Wikipedia but seeing as this blog is an assignment for a class, I will not post them here)

These erotic paintings are also important because scenes this explicit (group sex and oral sex) are not often found in other collections of erotic Roman art. Also, the presence of such paintings in a public bathhouse shared by men and women suggests that people would not have found them offensive.


Below is a link to a great website that has pictures of all the rooms and features of the Suburban Baths. There were too many pictures to post here, wish I could have though. Check it out!

http://www.pompeiiinpictures.com/pompeiiinpictures/R7/7%2016%20a%20plan.htm

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“Suburban Baths (Pompeii).” Wikipedia: Free Encyclopedia. Wikimedia Foundation, Inc. 22 July 2004. Web. 14 March 2012.

 “Suburban Bath – Pompeii.” Pompeii Tours: Pompeii.org.uk. Tredy S.A.S. 13 May 1998. Web. 14 March 2012.


Thursday, March 1, 2012

Conservation Issues


            Now that the sites have been excavated, they are exposed to the elements. The reason everything in the city was so wonderfully preserved was that it was underground. Some weathering and erosion is natural. Several structures have collapsed, and others are unstable so they are closed to the public.  However, there are many other factors attacking the artifacts. Uncovering the artifacts leads to the need to protect them in other ways.
             One of the biggest changes between being buried and being excavated is light. The detail, color and vibrancy of paintings, frescoes and sculptures began to fade in the natural light. Flash photography can also cause a decrease in clarity, which is why it also is not allowed in museums and historic sites. Luckily, this problem is relatively simple to resolve. There are organic methods, which were effective early on, and now a modern method with aluminum and plastic are use with even better results. Unfortunately, I couldn’t find much detailed information about the techniques used.


            Another factor that is not underground is plants. The soil is very fertile and the city is in a temperate are so many plants thrive in the area. Henri de Saint-Blanquette has identified thirty-one parasitic plants in Pompeii. These plants grow in patches, use up the resources in the ground until it is bare earth, then spread out and search surroundings for new fertile ground. They attack buildings and dislodge tiles and mosaics. One culprit, one found in many places, is ivy. It climbs up walls, the root slowly tearing apart the foundations. In the parts of the city with higher levels of tourist visits, the large number of feet tramples the plants, so this is more of a problem in closed off areas. It is severely damaging the buildings. Plants are not the only living thing attacking the ancient city; animals do their share of damage as well. Feral dogs have been removed. Hundreds had lived on the site in the 1980’s and ended up damaging footpaths, roads and walls. There were also issues with them being less than friendly to tourists.


Humans are another creature causing damage. Both purposeful and accidental human activities are the main factors in the decline of the city. A big one that is hard to avoid and fix is tourism. There are 2.5 million visitors every year. While this is good for education, and fund raising, the massive amount of tourists causes massive amounts of problems. One big issue that is hard to both avoid and fix, is the erosion of footpaths, especially in high traffic and popular parts of the city. Tourists with large heavy backpacks bump and sometimes scrape masonry and plaster. Another problem is from past mistakes early in the site’s history. In the early years of the site, some of the bodies were moved and placed differently to increase funding. Many artifacts, in the very beginnings of early excavations were dug up merely for aesthetic and commercial value, removing them from all context and historical meaning. In Herculaneum, another city buried like Pompeii, bronze letters were removed from a wall, without record of their original placement, and tourists were allowed to rearrange them to form messages.


Purposeful damage from humans, which is often the worse and most costly, includes vandalism and theft. As far as vandalism goes, graffiti is the most problematic. Not the spray paint tagging many think of but pens, markers, and carvings. It appears on walls and on paintings and frescoes. Many people also sneak mementos and souvenirs for home by breaking off parts of the city’s structures. As we had talked about in class, the lure of the antiquities market and the money it promises is strong. As a result, many artifacts have been taken from the site and sold. Many frescoes have even been picked off walls. Though the sites are guarded, are many of the stolen artifacts are recovered, many are not and still more are damaged in the thieving process.

 This is a fresco from the House of Chaste Lovers in Pompeii. In 2003, two frescoes were hacked off the walls and sold on the antiquities market. They were found months later, but many other frescoes in the house were damaged.

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“Conservation Issues of Pompeii and Herculaneum.” Wikipedia: Free Encyclopedia. Wikimedia Foundation, Inc. 22 July 2004. Web. 29 Feb. 2012.